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The Mexican (2001, Gore Verbinski)

No kidding The Mexican has a lot of the same score as The Abyss, Alan Silvestri composed both… oddly, I didn’t even think he was working anymore (or even back when The Mexican came out). Besides the...

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Dark City (1998, Alex Proyas), the director’s cut

I’m not sure if anything actually goes wrong with Dark City. There’s the significant music problem (Trevor Jones’s score seems more appropriate for a car commercial; it’s missing any subtext or...

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Alice in Wonderland (2010, Tim Burton)

Alice in Wonderland has a number of balls in the air at once and director Burton–though he does show a good sense of them each while in focus–can’t seem to bring them together successfully. The...

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Loom (2012, Luke Scott)

And the award for feckless pretentiousness goes to… drum roll please… Luke Scott for Loom. Yay! Loom‘s actually not bad for most of its twenty minute runtime. The first half is about thirty times...

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The Crow (1994, Alex Proyas)

Has it been long enough since the firearms safety accident on The Crow set to point out Brandon Lee was a really bad actor and his performance in The Crow is laughably awful? Actually, I don’t care;...

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